Etiqueta: poesia

Hyacinth

1
Is that an attitude for a flower, to stand
like a club at the walk; poor slain boy,
is that a way to show
gratitude to the gods? White
with colored hearts, the tall flowers
sway around you, all the other boys,
in the cold spring, as the violets open.

2
There were no flowers in antiquity
but boys’ bodies, pale, perfectly imagined.
So the gods sank to human shape with longing.
In the field, in the willow grove,
Apollo sent the courtiers away.

3
And from the blood of the wound
a flower sprang, lilylike, more brilliant
than the purples of Tyre.
Then the god wept: his vital grief
flooded the earth.

4
Beauty dies: that is the source
of creation. Outside the ring of trees
the courtiers could hear
the dove’s call transmit
its uniform, its inborn sorrow—
They stood listening, among the rustling willows.
Was this the god’s lament?
They listened carefully. And for a short time
all sound was sad.

5
There is no other immortality:
in the cold spring, the purple violets open.
And yet, the heart is black,
there is its violence frankly exposed.
Or is it not the heart at the center
but some other word?
And now someone is bending over them,
meaning to gather them—

6
They could not wait
in exile forever.
Through the glittering grove
the courtiers ran
calling the name
of their companion
over the birds’ noise,
over the willows’ aimless sadness.
Well into the night they wept,
their clear tears
altering no earthly color.

—Louise Glück, The First Four Books of Poems

September Twilight

I gathered you together,
I can dispense with you—

I’m tired of you, chaos
of the living world—
I can only extend myself
for so long to a living thing.

I summoned you into existence
by opening my mouth, by lifting
my little finger, shimmering

blues of the wild
aster, blossom
of the lily, immense,
gold-veined—

you come and go; eventually
I forget your names.

You come and go, every one of you
flawed in some way,
in some way compromised: you are worth
one life, no more than that.

I gathered you together;
I can erase you
as though you were a draft to be thrown away,
an exercise

because I’ve finished you, vision
of deepest mourning.

—Louise Glück, The Wild Iris (obrigado C.)

Summer for thee, grant I may be

Summer for thee, grant I may be
When Summer days are flown!
Thy music still, when Whipporwill
And Oriole — are done!

For thee to bloom, I’ll skip the tomb
And row my blossoms o’er!
Pray gather me —
Anemone —
Thy flower — forevermore!

—Emily Dickinson

Violets

Because in our world
something is always hidden,
small and white,
small and what you call
pure, we do not grieve
as you grieve, dear
suffering master; you
are no more lost
than we are, under
the hawthorn tree, the hawthorn holding
balanced trays of pearls: what
has brought you among us
who would teach you, though
you kneel and weep,
clasping your great hands,
in all your greatness knowing
nothing of the soul’s nature,
which is never to die: poor sad god,
either you never have one
or you never lose one.

—Louise Glück, The Wild Iris (obrigado C.)

Luke

I had a dog
  who loved flowers.
    Briskly she went
      through the fields,

yet paused
  for the honeysuckle
    or the rose,
      her dark head

and her wet nose
  touching
    the face
      of every one

with its petals
  of silk
    with its fragrance
      rising

into the air
  where the bees,
    their bodies
    heavy with pollen

hovered—
  and easily
    she adored
      every blossom

not in the serious
  careful way
    that we choose
      this blossom or that blossom—

the way we praise or don’t praise—
  the way we love
    or don’t love—
      but the way

we long to be—
  that happy
    in the heaven of earth—
      that wild, that loving.

—Mary Oliver, Red Bird, 2008